Skip to main content

Evan Ifekoya, A Score, A Groove, a Phantom, 2016, photo by Bernard G Mills

Evan Ifekoya, A Net Made of Individual Knots, install view, Embassy Gallery (1), photo by Eden Hawkins, 2016

Evan Ifekoya, Okun Song, video (still), 2016

Evan Ifekoya, She Was A Full Body Speaker, 16mm digital transfer and video (still), 2016

Evan Ifekoya, Whitney and I, Performance, Revolve Festival, Upsalla Sweden, photograph by Gustav Broms, May 2016

Evan Ifekoya’s current work investigates the possibility of an erotic and poetic occupation using film, performative writing and sound, focused on co-authored, intimate forms of knowledge production and the radical potential of spectacle. Their ongoing project A Score, A Groove, A Phantom explores archives of blackness, sociality and inheritance as they diffract through queer nightlife and trauma in the present moment. 

Evan is a member of Black Obsidian Sound System (B.O.S.S.), established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism.

Ifekoya is an Art Foundation Fellow in Live Art for 2017. 

Find out more: