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Jim Mooney studied at Edinburgh College of Art and the Royal College of Art where he was elected a fellow in 1995. He has participated in many group shows including: Painting at the Barbican Art Gallery, London and his solo shows include: in 1988, Todd Gallery, London, in 1989, Scholarship exhibition at Edinburgh College of Art; in 1994, Stains at Quicksilver Gallery, University of Middlesex and in 1995, Gallery of Polish Artists Union, Gdansk, Poland with Dominic Lehjman. He is a resident artist at Gasworks.

Katharine Meynell studied at Byam Shaw School of Art and the Royal College of Art where she is currently writing a doctoral thesis on "Time Based Work in Britain since 1980". She has exhibited widely including: the Tate, Liverpool; London Film Makers Cooperative; Cornerhouse, Manchester; ICA cinematheque; ICP, New York; Film Museum, Amsterdam; British Museums; Victoria and Albert Museums; Impressions, New York and Tate Gallery, London.

"The two artists show recent work which spans the tradition of painting and tome-based media, locating itself both within and outside these conventions. The works have a strong, direct emotional content which overspills the controlling boundaries of known theoretical positions. Their aims: to expose the banished taint of humanity, the stain of the unconscious, the uncleanliness of desire and dread. In both artists' work there is a sense of yielding to that territory in which desire intermingles with death, Mooney's eroticised shrouds, bed sheet screens, wet and stained with the image of a lover. Touch is an important sensation in both artists' work. It is reflected in the sense of physical proximity to the body and seems to be a metaphor for a desired intimacy of communication." John Stezaker